The last vinyl cutting lathes were produced in the early 80 s.
Mixing mastering for vinyl.
Vinyl mastering facilities rely on de essers that are built for this particular problem.
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During the aes convention in new york city this past october i was fortunate enough to attend a lecture given by mastering engineer scott hull of masterdisk studios.
It paints the mastering engineer into a corner and is often considered not vinyl friendly.
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But many vinyl cutters have been benefitting from the constant development and growing versatility of the plug in world.
Though there are those of us who.
Warm punchy masters for your digital streaming services download stores vinyl cd or cassette release.
And so i did thanks to drum bass mastering legend beau thomas who was happy to answer all my questions and share his wisdom i hereby want to recommend his services to anyone.
For vinyl the optimum source is 24 bit dynamic and limited either extremely lightly or not at all.
Mastering for vinyl quick answer.
The peaks are sharply chopped off at 0 db and that s that.
It consists of a mono stereo image up to 150hz a tamed high end and if needed a track listing that is consistent with the frequency limitations of record cutting.
Will definitely use them again.
Vinyl mastering is an artform of it s own.
Several known outboard de essers through the years include the maselec mds 2 and the orban 536 a.
I know i will be reaching for him again in the future.
I am also very eager to try out their 8d.
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Great value for the price.
The guys from spatial mastering gave us an exceptional service.
Mastering for vinyl is the process of creating a separate master that can be cut into a vinyl record without added unwanted distortion.
They were prompt to answer emails and communicate and were able to accommodate us in terms of our needs.
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It can be very helpful to have an experienced engineer who was not involved with the production recording or mixing process to make those final adjustments.
Finally the mastering process is the final step before the music is released.
The sequencing difference is that delivery from mastering for digital is either individual wav files for download or a single ddpi file for cd replication whereas for vinyl the delivery is generally two wav files one for each side of the record.
Mixing and mastering for vinyl.
The lecture focused on creating mixes and masters for vinyl pressing.
In studio recording near baltimore washington dc philadelphia new york and new jersey.
Saving a stereo mix that clips your daw mixer output as a 24 bit wav will result in a waveform that has unrepairable damage to the peaks.
The masters were clean and pumping and delivered in 16bit and 24bit format.